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Quite the shocking phrase isn’t it ? And you should have seen my face when an internationally recognized Curator told me that while we were unwrapping new works for an upcoming show. All I did was just telling him that I just sold out my first series of prints, a series called “Floral Tigers”. I mean it was kinda corny, ornamental Tigers that could sell as a decorative poster with the tiny difference that I signed and numbered them before as a limited edition and therefore t

Current studio view- paint whatever the fuck you want dude. "Once I go to art school I will learn to draw such cool art! I will make my comic and will become famous!" That was my naive little thought when I enrolled in my Bachelor of Fine Arts a few years ago. I had this very clear image in my head of what art school would be like: hours spent perfecting anatomy, learning how to mix colors flawlessly, discovering the right brushes and techniques that would somehow unlock my f

Curatorial practice has long left the white cube spaces of art galleries- why curation online matters just as much Curating digitally is no longer a secondary concern for art stores and online art shops - it is central to how art is perceived, valued, and sold. In a space where the physical encounter with an artwork is replaced by screens, display becomes the primary mediator between the work and the viewer. How art is presented online shapes not only aesthetic experience but

"Ready for takeoff", 2025 I’ve always been interested in what happens around art just as much as the art itself - who gets to show, who gets to speak, who gets seen, and what kind of spaces we build when we stop waiting for permission. I’m an artist, a curator, and- often by necessity- an organizer. My practice lives somewhere between making, showing, and creating platforms for others. Sometimes that looks like a solo exhibition. Sometimes it looks like a comic. Sometimes it